Do you know what I am not?
Answer: Methodical.
Between 1997 and early 2009 I shot hundreds of rolls of reversal (slide) film. My usual culprit is Fuji Velvia 50, a super-lush film that has been snarkily labeled “Disneychrome” by its detractors for its almost unbelievable saturation.
Now I have to scan every slide photo I ever took in a mad dash against time.