“When in doubt, use Caslon.”

–Traditional Printer’s Adage

Today I ordered my first ever fresh foundry type, from M&H in San Francisco. To do this I talked on the phone with Louie. Another M&H rep said Louie had worked there for 58 years. While this is a mathematical improbability, Louie knows his stuff. I will soon have a run of 12-on-14pt. and 18-pt. Caslon, and I intend to build my core around this type.

Caslon seems like an appropriate choice for several reasons:

1. Historical relevancy: Caslon was cut in the 1730s by English type designer William Caslon. It’s a Baroque face–faces, really, there are dozens of fonts that go by the Caslon moniker–that has stood the test of time, and was designed in an era when printing was three-dimensional. Of course, that goes for any type designed before the middle part of the 20th century. But still.
2. Flexibility: Caslon is a stolid, unassuming typeface that can be plunked into a lot of situations and won’t look flustered. It doesn’t scream its own personality so much that you get distracted.
3. Extensibility: I have more chance of finding more Caslon–small caps, titling figures (that is, “capital” numerals as opposed to “lower case” numerals. Sorta.), quaints and ligatures (e.g “ff”, “ffl”, etc., which are cast as one character instead of two or three)–than other fonts. It’s common.
4. Taste: I’m fond of it. Though it did run a close heat with Garamond. I actually like Garamond, a Renaissance face, just a tiny bit more, but it’s slightly more delicate and finicky.

The “12-on-14″ bit means that, to account for Caslon’s long ascenders and descenders (the lines on “d”s and “p”s and th like), M&H recommends getting the 12pt. version on 14pt. type. The appearance of the font is that of a 12-pt. font but takes advantage of the extra space available on 14pt. sorts. It sounds more complex than it is.

Top: Adobe Caslon Pro, 2nd Line: Adobe Caslon, 3rd Line: Adobe Garamond Pro, 4th line: Garamond Premier Pro. Of course my Caslon will look completely different than the two digital versions. But to give you an idea.

Tags: hobbies, type

This past weekend was immense in terms of moving towards having a working letterpress setup.

It started with a trip to Silverton, Ore.–I am always amazed at how long that drive takes–to pick up a type cabinet full of type, accessories and a Kelsey Exceslsior 5×8″ press. I didn’t need the press, but it was part of the shebang.

Type cabinet shoved partially into hatch of Subaru WRX, type drawers perched dangerously behind our heads, we headed back into town. For the rest of the day we scoured the cabinet–a 20-drawer oak beaut by the Hamilton Mfg. Co., circa early 1900’s, probably around 1905–oiled and cleaned things, organized type and accessories. David built me a small rack for my rollers (it’s best not to store them on the press and definitely not unsupported: they’ll flatten out).

Sunday, we finished up the organization and then heaved the stuff from the garage into the house–no minor feat. It rained on us. Carl helped.

Mostly what I was after with this purchase was the type cabinet and the type. Some of it is rather lovely ATF type, a lot of it is rather meh. But now I have space for more type. I also got an entire drawer full of spaces, which is wonderful.

I don’t need the press I picked up this weekend, so I have cleaned it up and am selling it:
on Briarpress

Tags: hobbies, Letterpress, printing